Gabriel Carle : Bad Seed
Pre-recovery, pre-therapy, the young, queer characters in Bad Seed, Gabriel Carle’s first collection published in English, have not yet sorted out their passions. Their lives are messy; their stories can’t be neat. The geographic center of these eight stories is the University of Puerto Rico in San Juan, specifically the theater steps, where Carle’s narrators and their friends— “the Bad Decision Club”—meet between classes.
Ágota Kristóf : I Don’t Care
Ágota Kristóf is, on the one hand, a highly acclaimed writer whose best work is on syllabi internationally. On the other hand, she is so widely unknown that a joke circulates, started by Slavoj Žižek, that she is a mispronunciation of Agatha Christie, Queen of Crime. She’s not.
Camille Bordas: The Material
The Material opens at a morning English department meeting in Chicago’s Loop, where colleagues from Victorian Literature, Rhetoric, Theory, Medieval Studies, and Stand-Up—yes, Stand-Up—assemble. The department chair Sword, teacher of epiphany and quoter of Baudelaire, has an announcement. “I will keep this brief,” he says, spurring comedy professor Kruger to start a note: “I’ll be brief: Part One, Section A, Subsection 1.”
Pooja Pittie: Only in Dark the Light
Only in Dark the Light is Pooja Pittie’s third solo exhibition at McCormick Gallery, which has represented the artist since 2016. The seven paintings and three fiber art installations on view were made in 2023 and 2024. The paintings build upon yet depart from the artist’s previous work, while the fiber art carries her evocative abstraction, exuberant color, and irregular lines into a new medium.
Los enlaces peligrosos
The young men in Zigzagger, Manuel Muñoz’s first collection of stories, emerge from California’s Central Valley as if they are a new species, evolved from their specific circumstances of being new Americans, Mexican American, and gay. It is as if they find no others ahead of them who have walked the earth as they walk it. Though these young men are the descendants of their parents, they move out from their boyhoods, their homes, their towns and into the larger world as distinct beings.
The Curse of St. Cecile
That night Alix was a rock star’s girlfriend. For several weeks, she had been dating her hairdresser, a woman who was, among other things, the drummer for Skyward 7, an unheard of, melancholy rock band. They had a show that night at the Luna Lounge and Alix was excited to see and hear Wendy playing her drums on stage at a club.
Ordinary People
The title of Vestal McIntyre's debut short story collection, You Are Not the One, is a vague invocation of the rejected, unpicked, and overlooked characters in its pages. One wonders, were it not for the success of Adam Haslett's similarly titled You Are Not a Stranger Here (2002), would these eight stories be named simply, Octo. The one masterful story in the book, “Octo” tells the story of Jamie, a troubled thirteen-year-old boy whose beloved pet octopus has outgrown its tank and the rest of the family’s tolerance for its strangeness.
If You Really Want to Know
In Louise Wareham’s first novel, Since You Ask, 24-year-old Betsy Scott, a British transplant to New York City’s wealthy Upper East Side, narrates the story of her life so far. She is a year out of college, deferring admission to her medical school of choice, and an inpatient at Fairley, the psychiatric hospital where she landed after a cocaine- and heroin-related breakdown. She speaks to us with the familiar cool of girls who have been in psychiatric wards and who go on to write books: “If I kill myself here,” she tells us, “I am going to walk into the pool with rocks in my pockets.”